Skip to main content

2/23/2010

-Strikes: I think I'm doing better with keeping my sword a bit higher and not going all the way back when I swing. I've been very mindful of it lately. Also I was having an issue with keeping my left arm tucked in when I strike, so I've also been trying to remember to bring it out even with my right arm. Not sure how well that is going, but at least I'm aware of it and actively trying to fix it.

-Footwork: Not sure if this is an issue, and it hasn't been brought up by Sensei or anyone else, but I think I might be raising my right foot too high up when I do Fumikomi. Again, not sure on this one, but sometimes as I'm striking and going through it feels like it's way up off the ground. I read a suggestion by someone that said to "pretend that you are trying to kick the other person in the shin with your right foot." When I thought about this on one of the drills it felt like my foot was lower in the Fumikomi, so maybe a good piece of advice to hang on to.

Also I need to work on turning and being ready to go in a split second. A lot of times I catch myself off balance or taking an extra step to get the proper stance again.

-Kiai: I have varied the length of my Kiais, but I need to vary the Kiai itself, too. Will play with this at the next practice.

-Do Strikes: Need to not be in so deep on the cut. I'm hitting with the middle of my Shinai. Need to hit with the tip. I need to remember Billy's advice to turn my upper body as I strike which will give me more room to play with.

Comments

Popular posts from this blog

Sutemi

 The Japanese-English Kendo dictionary, located at www.kendo-usa.org, defines sutemi as: " Sute-mi   (n.)  1.  Concentration and effort with all one’s might, even at the risk of death.  2.  Concentration of all one’s effort into one strike, even at the risk of defeat." Ok, so risking everything at the risk of defeat or death.  But how does that apply to our own training?  Fighting to the death is a very foreign concept to many of us, but I believe that we can all understand fighting at the risk of defeat.  This is a concept that we've started examining in more detail at our dojo lately, and one that I believe can be learned at any stage of practice that you're at. To put it simply, Sensei explained that sutemi is putting 100% effort into a strike.  Holding nothing back and leaving all cares and worries behind so that you can give all of yourself over to that strike.  it sounds like a complicated idea, and it is, but just like all things in kendo I believe that

Nuki Men - A Personal Look

2010 Kent Taikai This month we'll be focusing on nuki waza at our dojo, specifically nuki men and nuki kote.  Here are just a few of my own (emphasis on own!) thoughts on the subject. I, personally, love nuki men. It's been one of my favorite techniques for years and years, and I used it a lot when I was a mudansha.  I still use it now on occasion, for that matter, but in order to become and stay effective with it I had to learn a few things.  These are things which work for me and your mileage may vary, as one of my friends like to say.  First off is the movement itself.  I'll start with the "classic" version with kote-nuki men.  One person attacks the kote, and their opponent responds by raising the shinai up and countering with a men strike of their own.  In this scenario there are a few things I like to keep in mind.  The first being to get my hands out of the way!  I can't just lift my shinai and expect to be ok, I have to also get my hands (and my

Harai Waza

Photo courtesy of T. Patana, Kendo Photography Another month down, another new focus for training.  This month we'll be focusing on harai waza.  Here are some of my personal thoughts on it, from my own training and experience. I really had trouble figuring out how to start this entry.  Normally I just open the page and go to work, letting whatever ideas and thoughts I have flow out onto the screen, but this one really had me stumped for a while, mainly because everything I started to write sounded really negative and I didn't mean it to, so I think I'll just go with it and try to get to the point that I was trying to make in the first place. When I first started learning harai waza it was part of kihon kata three.  If you want to be fancy, that would be the Bokuto ni yoru kendo kihon waza keiko ho, kihon san - harai waza .  The idea was simple: strike the motodachi's shinai out of center and deliver a men strike, all in one smooth movement.  It was one of the