Skip to main content

Two Paths, Same Destination

This whole week Sinclair Sensei and his family, as well as a few dojo members, are gone on vacation so it's been left to the yudansha to help run the show while they're away.  I've been tasked with leading and teaching the intermediate classes.  This is something I'm used to and do often, but when I'm left to myself with no clear lesson plan it's always a challenge.  I have to take a look at the students and where they're at in their development, and try to put together a class that is appropriate for them.  Also trying to introduce the basics of new ideas, but not overwhelming them, is interesting.  If anyone has led a class, I'm sure they know what I mean.  Being that I'm only shodan, I definitely have a lifetime worth of kendo knowledge and technique left to learn, but I do the best with what I have and what I've been taught. 

Ando Sensei took over teaching our main class last night, and he led a very good, and exhausting, practice.  I've always marveled at the way that he and Sinclair Sensei have two entirely different ways of teaching, but they are both conveying the same information.  For example, the way they explain a small men strike is vastly different from each other, but I can see that the mechanics of both of them are exactly the same in practice.  I wonder if this is what others experience from sensei at their dojo.  It reminds me of how people learn in different ways.  Some learn by reading, some by doing.  Some by repetition, etc.  But no matter the different ways of learning they are all learning the same thing.  This might not be a big, profound idea to a lot of people, but it's always good for me to see the two different teaching styles working together to drive us all to the same goal.

I hurt myself about a week ago, bruised my heel on a wrong step, so I've been taking it pretty easy recently with training and when given the time I've been working on my kaeshi dou strike.  I realized that the main reason I'm so bad at it is my timing is way off.  I not only block/counter too late, but I make two motions instead of just one smooth movement from the block into the counter.  So, to save my foot and let it heal, I've been practicing just the block and strike itself with very little body movement.  This one simple point to focus on has done wonders for my kaeshi dou, and I'm able to strike quickly and more on target than I ever have been able to with this technique.  Once everything is back to 100% with my body I'll start doing full-fledged kaeshi dou drills and see if I can incorporate the strike I've been working on with the body movement.  It also doesn't hurt that Ando Sensei broke down the movement for us to the very, very basics last night, and I hope to use that later on, as well.

Not too much to write about this go-round, but it's been a slow process trying to recover from that one wrong step.  Let this be a lesson to always push forward and never hesitate at the last second!

Comments

Popular posts from this blog

Sutemi

 The Japanese-English Kendo dictionary, located at www.kendo-usa.org, defines sutemi as: " Sute-mi   (n.)  1.  Concentration and effort with all one’s might, even at the risk of death.  2.  Concentration of all one’s effort into one strike, even at the risk of defeat." Ok, so risking everything at the risk of defeat or death.  But how does that apply to our own training?  Fighting to the death is a very foreign concept to many of us, but I believe that we can all understand fighting at the risk of defeat.  This is a concept that we've started examining in more detail at our dojo lately, and one that I believe can be learned at any stage of practice that you're at. To put it simply, Sensei explained that sutemi is putting 100% effort into a strike.  Holding nothing back and leaving all cares and worries behind so that you can give all of yourself over to that strike.  it sounds like a complicated idea, and it is, but just lik...

Harai Waza

Photo courtesy of T. Patana, Kendo Photography Another month down, another new focus for training.  This month we'll be focusing on harai waza.  Here are some of my personal thoughts on it, from my own training and experience. I really had trouble figuring out how to start this entry.  Normally I just open the page and go to work, letting whatever ideas and thoughts I have flow out onto the screen, but this one really had me stumped for a while, mainly because everything I started to write sounded really negative and I didn't mean it to, so I think I'll just go with it and try to get to the point that I was trying to make in the first place. When I first started learning harai waza it was part of kihon kata three.  If you want to be fancy, that would be the Bokuto ni yoru kendo kihon waza keiko ho, kihon san - harai waza .  The idea was simple: strike the motodachi's shinai out of center and deliver a men strike, all in one smooth movement.  It wa...

Palouse Kendo Club

This Sunday a few of my dojo mates and I traveled to Moscow, ID to visit the Palouse Kendo Club, a relatively new club to the area that was started by my friend Maina.  The club has been active for a little over a year, if memory serves me right, and we'd always talked about having visitors to the club, but we were finally able to put it together and schedule it.  Six of us traveled over, ranging from 3 kyu up to, well, me!  We pulled up to the dojo about 20 minutes before training was scheduled to start, and after greeting my friend and getting a quick tour, we were suited up and ready to go.  All in all, they had six people that showed up to train with us, and we trained for a good two and a half hours.  We started with warmups and suburi, then moved straight into footwork drills.  I have to make a confession:  I don't particularly like footwork drills.  I don't like running, either, but I do both because I know that they're both good for me a...