Skip to main content

Kote-Men - The Swiss Army Knife of Waza



In the Bokuto Ni Yoru Kendo Kihon Waza Keiko Ho (Kihon Kata, for short), kote-men is the second kata performed, and is used to illustrate renzoku waza (continuous attacks).  I believe there is a very good reason that kote-men was chosen to exemplify this.  I may be wrong.  It wouldn't be the first time, nor will it be the last.  In my experience, though, kote-men is not only a useful technique in and of itself, but it's a very versatile technique and can be used in a whole range of different situations.  Obviously in order to use it effectively you have to have a solid grasp of the individual attacks of kote and men, but with that part under your belt you can begin to use it to learn about continuous attacks, multiple strikes, and stringing together other attacks into useful techniques. 

Kote-men does a lot to teach us about the rhythm and flow between attacks necessary to combine other attacks.  Want to strike men a few times in a row to catch your opponent off guard?  This technique can help with that timing.  How about kote-do?  Yup, this can help, too.  So, looking past just the specific attacks themselves and digging in a little can give us a framework that we can apply to create almost any combination of attacks that we can think of.  We can use big strikes mixed with small strikes, as well, or different timings to create surprising and unexpected rhythms for our opponents to deal with.  Like I said, versatile!

Kote-men also doesn't have to be applied to just strike the kote and the men targets.  It can be used as a great way to create an opening.  Simply bringing the shinai down the midline, as if you were attacking kote, can open the center for you, and give you a nice, direct path to the men.  It can be used to attack either omote or ura side of the shinai for openings, as well.  It can also be used with off-timing to open and then attack as the opponent regains the center and, possibly, overreacts to try and block the men.  At this point kote, do, or even tsuki open up for attack.  Once you have the basics of the technique down it's good to experiment and explore the options that are available to you.

We can use this technique as not only attack, but defense.  Kote-men is a great way to counter and open an opponent that's moving to hit your own kote.  Just a quick strike down the center as they move in, shinai-to-shinai, is enough to throw a lot of people off target and open their men for a counter attack.  We can also see this motion in Kihon Kata 9 (uchiotoshi waza), where it is used to divert an incoming do strike.  I don't know how many times I've used this myself; just a quick strike to the shinai as it comes in to open my opponent up and, depending on how they react or not, I'm presented with different sets of opportunities to take advantage of.

This is just a taste of the many, many uses of this waza, and the benefits that it presents.  I'd encourage anyone and everyone to take a serious look at it and see what they can use in their own kendo.  Whether you're using kote-men as is, or using the timing to build new renzoku waza that you like, or if you're utilizing it for new defense and counter techniques, kote-men is a versatile and useful waza to learn.

Comments

Popular posts from this blog

Sutemi

 The Japanese-English Kendo dictionary, located at www.kendo-usa.org, defines sutemi as: " Sute-mi   (n.)  1.  Concentration and effort with all one’s might, even at the risk of death.  2.  Concentration of all one’s effort into one strike, even at the risk of defeat." Ok, so risking everything at the risk of defeat or death.  But how does that apply to our own training?  Fighting to the death is a very foreign concept to many of us, but I believe that we can all understand fighting at the risk of defeat.  This is a concept that we've started examining in more detail at our dojo lately, and one that I believe can be learned at any stage of practice that you're at. To put it simply, Sensei explained that sutemi is putting 100% effort into a strike.  Holding nothing back and leaving all cares and worries behind so that you can give all of yourself over to that strike.  it sounds like a complicated idea, and it is, but just like all things in kendo I believe that

Harai Waza

Photo courtesy of T. Patana, Kendo Photography Another month down, another new focus for training.  This month we'll be focusing on harai waza.  Here are some of my personal thoughts on it, from my own training and experience. I really had trouble figuring out how to start this entry.  Normally I just open the page and go to work, letting whatever ideas and thoughts I have flow out onto the screen, but this one really had me stumped for a while, mainly because everything I started to write sounded really negative and I didn't mean it to, so I think I'll just go with it and try to get to the point that I was trying to make in the first place. When I first started learning harai waza it was part of kihon kata three.  If you want to be fancy, that would be the Bokuto ni yoru kendo kihon waza keiko ho, kihon san - harai waza .  The idea was simple: strike the motodachi's shinai out of center and deliver a men strike, all in one smooth movement.  It was one of the

Palouse Kendo Club

This Sunday a few of my dojo mates and I traveled to Moscow, ID to visit the Palouse Kendo Club, a relatively new club to the area that was started by my friend Maina.  The club has been active for a little over a year, if memory serves me right, and we'd always talked about having visitors to the club, but we were finally able to put it together and schedule it.  Six of us traveled over, ranging from 3 kyu up to, well, me!  We pulled up to the dojo about 20 minutes before training was scheduled to start, and after greeting my friend and getting a quick tour, we were suited up and ready to go.  All in all, they had six people that showed up to train with us, and we trained for a good two and a half hours.  We started with warmups and suburi, then moved straight into footwork drills.  I have to make a confession:  I don't particularly like footwork drills.  I don't like running, either, but I do both because I know that they're both good for me and will improve my endu